Sep 1, 2018 / New York Classical Review

…this was the most abstract work on the program and also the most intriguing…the piece had Kimura playing graceful, carefully placed lines against audio that had a strong metrical pulse and etched rhythms.
– To the Victims of Cain for solo shamisen and pre-recording (composed by Yoriaki Matsudaira) –

http://newyorkclassicalreview.com/2018/09/bargemusics-here-and-now-festival-opens-with-an-evening-of-eclectic-delights/